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	<title>Jeff Morris</title>
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	<link>http://m620sound.wordpress.com</link>
	<description>composer — improviser</description>
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		<title>Jeff Morris</title>
		<link>http://m620sound.wordpress.com</link>
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		<title>Ancient Chinese Secret</title>
		<link>http://m620sound.wordpress.com/2007/12/21/ancient-chinese-secret/</link>
		<comments>http://m620sound.wordpress.com/2007/12/21/ancient-chinese-secret/#comments</comments>
		<pubDate>Fri, 21 Dec 2007 18:32:45 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
				<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Scores]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[Ancient Chinese Secret]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[game music]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[performance art]]></category>

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		<description><![CDATA[Ancient Chinese Secret for three to eight Sudoku and bell players is a sonic performance piece that exploits the inflated mystery of unseen goings-on. In live performance, the details on the paper cannot be seen by the audience, and the sounds produced are only indirectly related to the main task of the performers. In recorded [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=34&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Lily Maase&#8217;s Vanishingpoint project</title>
		<link>http://m620sound.wordpress.com/2007/11/13/sounds-for-lily-maases-vanishingpoint-project/</link>
		<comments>http://m620sound.wordpress.com/2007/11/13/sounds-for-lily-maases-vanishingpoint-project/#comments</comments>
		<pubDate>Tue, 13 Nov 2007 06:00:02 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
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		<description><![CDATA[Guitarist and composer Lily Maase and her band The Suite Unraveling release their album, Unbind. today.  It includes a fascinating blind collaborative project of Lily&#8217;s called Vanishingpoint.  I contributed some sounds to this project by improvising some short musical passages using samples of things recorded by other contributors. Check out the album at CD Baby.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=19&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>SoundLAB Edition V — soundSTORY</title>
		<link>http://m620sound.wordpress.com/2007/11/01/soundlab-edition-v-%e2%80%94%c2%a0soundstory/</link>
		<comments>http://m620sound.wordpress.com/2007/11/01/soundlab-edition-v-%e2%80%94%c2%a0soundstory/#comments</comments>
		<pubDate>Thu, 01 Nov 2007 18:03:37 +0000</pubDate>
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		<description><![CDATA[My RUhere has been included in a web-based exhibit presented by SoundLAB with the theme &#8220;soundSTORY.&#8221;  The exhibit is presented as part of NewMediaFest 2007.   See the exhibit here (you might need to disable pop-up window blockers).    <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=23&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">SoundLAB soundSTORY logo</media:title>
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		<title>Feedback Instruments: Generating Musical Sounds, Gestures, and Textures in Real Time with Complex Feedback Systems</title>
		<link>http://m620sound.wordpress.com/2007/08/31/feedback-instruments-generating-musical-sounds/</link>
		<comments>http://m620sound.wordpress.com/2007/08/31/feedback-instruments-generating-musical-sounds/#comments</comments>
		<pubDate>Fri, 31 Aug 2007 20:40:23 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
				<category><![CDATA[Papers]]></category>
		<category><![CDATA[Photos]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[electroacoustic]]></category>
		<category><![CDATA[Elektro]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[Gamepad Sampler]]></category>
		<category><![CDATA[Motet]]></category>
		<category><![CDATA[programming]]></category>

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		<description><![CDATA[From the 2007 International Computer Music Conference in Copenhagen: After an introductory survey of how feedback appears in common musical processes and situations, interactive compositions by the author are described, which have later been incorporated in complex feedback systems. In such systems, software is able to take on a voice of its own and become responsive [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=14&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Jeff at ICMC 2007 (JPG)</media:title>
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		<item>
		<title>Doctor of Musical Arts in Composition presented</title>
		<link>http://m620sound.wordpress.com/2007/08/10/doctor-of-musical-arts-in-composition-presented/</link>
		<comments>http://m620sound.wordpress.com/2007/08/10/doctor-of-musical-arts-in-composition-presented/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 22:00:14 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[academic]]></category>

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		<description><![CDATA[I was presented the degree of Doctor of Musical Arts in Composition with a specialization in Electroacoustic Music today at the University of North Texas.   Read the dissertation here.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=16&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Live Sampling in Improvised Musical Performance: Three Approaches and a Discussion of Aesthetics</title>
		<link>http://m620sound.wordpress.com/2007/08/03/live-sampling-in-improvised-musical-performance-three-approaches-and-a-discussion-of-aesthetics/</link>
		<comments>http://m620sound.wordpress.com/2007/08/03/live-sampling-in-improvised-musical-performance-three-approaches-and-a-discussion-of-aesthetics/#comments</comments>
		<pubDate>Fri, 03 Aug 2007 23:00:43 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
				<category><![CDATA[Papers]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[electroacoustic]]></category>
		<category><![CDATA[Elektro]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[Gamepad Sampler]]></category>
		<category><![CDATA[live sampling]]></category>
		<category><![CDATA[Motet]]></category>
		<category><![CDATA[programming]]></category>

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		<description><![CDATA[Three original software programs utilizing improvisation and live sampling are presentedhere, along with a discussion of aesthetic issues raised by each. They are entitled Zur Elektrodynamik bewegter Musiker, Motet, and Gamepad Sampler. These programs vary in thedegree of required interaction and in the kind of user control. They are each studies in imitative counterpoint through [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=12&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Clairaudience released by Bohn Media</title>
		<link>http://m620sound.wordpress.com/2007/08/01/clairaudience-released-by-bohn-media/</link>
		<comments>http://m620sound.wordpress.com/2007/08/01/clairaudience-released-by-bohn-media/#comments</comments>
		<pubDate>Wed, 01 Aug 2007 06:00:22 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
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		<category><![CDATA[Disturbances]]></category>
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		<description><![CDATA[Bohn Media releases the album Clairaudience today, including my piece Disturbances.  Every work on the album is based on sounds from electronic voice phenomena.  I used my live sampling tools to build the gestures and textures in the work.   Read more about the CD here, and click here for ordering information.  Read more about the Gamepad Sampler here.  <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=20&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Featured on Composition Today website</title>
		<link>http://m620sound.wordpress.com/2005/07/01/featured-on-composition-today-website/</link>
		<comments>http://m620sound.wordpress.com/2005/07/01/featured-on-composition-today-website/#comments</comments>
		<pubDate>Fri, 01 Jul 2005 06:00:55 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
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		<category><![CDATA[horn]]></category>
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		<description><![CDATA[My Etude No. 3 for horn was selected to be recorded by Tim Jackson for a feature on Composition:Today.  It uses natural harmonics of the horn in a more contemporary way.  (About the few measures he calls &#8220;unplayable:&#8221; I played them myself many times before writing them in the first place.) Read more, see the score, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=22&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>A Dynamic Model of Metric Rhythm in Electroacoustic Music</title>
		<link>http://m620sound.wordpress.com/2004/11/04/a-dynamic-model-of-metric-rhythm-in-electroacoustic-music/</link>
		<comments>http://m620sound.wordpress.com/2004/11/04/a-dynamic-model-of-metric-rhythm-in-electroacoustic-music/#comments</comments>
		<pubDate>Thu, 04 Nov 2004 18:00:34 +0000</pubDate>
		<dc:creator>m620sound</dc:creator>
				<category><![CDATA[Papers]]></category>
		<category><![CDATA[electroacoustic]]></category>
		<category><![CDATA[funk]]></category>
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		<category><![CDATA[rhythm]]></category>
		<category><![CDATA[temporality]]></category>

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		<description><![CDATA[From the 2004 International Computer Music Conference in Miami:The possibilities offered by electronic composition tools, while liberating, make difficult the dynamic use of organized rhythm in electroacoustic music.  This paper explores a model stemming from interactive electroacoustic work by the author that adopts aspects of the hocketed, disjunct rhythmic textures of funk styles for use [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=10&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Psalm 108 for chorus</title>
		<link>http://m620sound.wordpress.com/2003/01/01/psalm-108-for-chorus/</link>
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		<pubDate>Wed, 01 Jan 2003 06:00:33 +0000</pubDate>
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		<description><![CDATA[An expressive rendition of the psalm in varied musical languages, to fit the text. Optional keyboard reduction provided. View and buy the score at SibeliusMusic (plug-in required).<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=m620sound.wordpress.com&amp;blog=2248863&amp;post=32&amp;subd=m620sound&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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